I came across a great interview with Dik Jarman on YouTube which I have transcribe here for your enjoyment. Dik is an Australian animator with some great titles such as Mary and Max and Dad’s Clock and now director at kanga manga studios. The interview is entitled “Creation Through Animation with Dik Jarman”
The interview is the property of
Screen and Media
School of Media and Communication
The interview goes as follows:
“Good animation is like Formula One racing. You got the driver in the car at the end who wins the race, perhaps. But then he’s got all the 21 crew members who pick the car up, there’s people who design the car, there’s all that behind it, ___ people. And it’s the same with animation: there’s the performance of the team – people who make the puppet, design the puppet, build the puppet, paint the puppet, cloths for the puppet. Then there’s the writer for the story. There’s the uh, creator of the set, the lighting, the camera, the way it’s oriented, the rig that is built. All of that, in small production, is probably done by the animator but in large productions it’s a team effort.
I first got into animation in 1985 at secondary school when a good friend of mine and I were acting. And were the only people acting and working in the art department as well. And he was doing a film for his art project. And he asked me, can I act in it? He won an award for that film, he came back to me and said, “Look, I have another film to do and I want to make it puppet animation and I know you can sculpt,” because I was […]